(E2) "Yes. With combinations, Ran magic can be more complicated but you get the main idea I suppose. Next is Ninazu, just as basic as Ran- the art of healing and curing that in which intoxicates the body physically or spiritually. Since Tera has become a major power in the world, medicine and Ninazu magic has become increasingly more progressive- only a few hundred years ago did we have twice as less as we have today." Serdtse spoke however her thick accent made it hard to understand some of the words that she spoke. She even studdered quite a few times, struggling to speak the common language with great fluency when it came to magic.
Serdtse stood up, picking through her backpack up until she pulled out a small handbook poster- this poster seemed bundled and kept together only because of a fabricated rubber band; she pulled at this band before it immediately sprung out and nearly doubled in size and unraveled itself by the amount of torque it had. She let it flop up and unravel before she held a firm grip on it, what she had was some kind of elastic paper that not only could be written on- but could flipped through like a book. She pressed it up against the very back of the rooms wall as she continued speaking. She then returned to her backpack, taking out a very small package of personal pens- these pens she did not allow Arin access to. For whatever reason that might have been.
She began to write what she was speaking about on the now large notebook. Sticking through an unknown means. "Thus, following this is Kokoro magic. The use of the mind to implement magic just as a limb or physical entity of the body. Although in books of magic and spirituality do depict people flying and hovering in mid-air, only a few people in reality have been able to achieve this power at the cost of constant dryfire and exhaustment of resources. Kokoro magic refers to much more efficient means of using magic, for example entering the mind of another person and the dreams of another person; both of which are forbidden arts that bring about negative attention. One of the four known ways of performing magic and spirituality rely heavily on Kokoro magic, however, it is rarely used by the warrior and rather used by the unskilled.
Before I continue any further, we should also discuss how magic is performed. Magic is performed four ways:
Dryfire. Dryfire is the use of performing magic without any means of efficiently translating source energy into technique, it is like throwing gasoline on a fire- certainly something will happen. Something can be considered dryfire if no technique is apparent.
Traditional. Traditional magic and spirituality are considered the primary formats in which magic is taught today, it is the use of the body, hand symbols, signs and seals in a basic or complicated chain of language; producing the desired effect. If somebody performs a short or long chain of basic or complicated symbols using the hands- it is clear that it is traditional magic.
Bending. The use of orchestral body movements and fluent, directional dance that provides instructions for source energy to work in a certain manner. Stomping the feet and shifting the ground in a dance is often times affiliated with earth bending, however, water and fire often times resemble a more fluent dance rather than abrupt stomping.
And lastly . . . incantation. Considered to be the "peoples magic" because warriors, for the most part, don't use Incantations. It is the magic of the voice, spoken magic. However, it can be considered dryfire if a tool is not used, such as a wand or a staff of some kind. Wands are the most effiecent while staffs are . . . more powerful. Write this down, I don't want to repeat any of this." Serdtse demanded, kindly of course but nonetheless it was still a command.
