She has my curiosity, and then she has my attention.
As the woman talks I watch her features and expressions shift, noting the burst blood vessels in her eyes and the sudden shift of tone from jovial to bitter. She's likely noted something similar about me: camaraderie amongst drunks. As her rant shifts to the topic of the funeral, however, my gaze averts. That knot in my stomach that's been growing for the last several hours constricts. My mother's final fate, hacked to pieces and then dumped at the side of the road like unwanted household appliances. A fate she did not deserve, the vicious conclusion to a long line of raw deals, tragedies and unhappiness.
My thoughts stray back to the knife in my coat, and I promise myself that someone is going to die for this.
I still can't wrap my head around this woman I'm smoking with. She's far too young to be a friend of my parents, you'd think, and my old man doesn't really do friends these days anyway. But then mum always was a sociable lady; her personality drew others to her, like moths to a flame.
Then the woman plants a foot on the fender of my car, and with the brief glint of a badge it all makes sense.
Shit.
She just had to be a fucking cop.
In my line of work, you want to avoid the police. Sure, I'm not technically breaking any laws but the eye of the authorities is the sort of attention you really don't want on you. And here I am bumming a smoke off one.
"Maybe it's perfect," she considers, "Killers return to the scene of the crime, right?
"And I'll be waiting."
The hell was that? An accusation? A threat? A suggestion? I can't figure Officer Moore's meaning, and I'm normally good at this kind of thing. Yet as I'm about to retaliate with some quips and questions of my own, I hear yelling from the back lawn of the hotel.
My head snaps round. Kid in the dark, misty waters of the lake, about to sink into its depths. Another on the jetty, panic etched onto her small face. And a pale man standing near to it all, shouting for help.
"Fuck!" I snarl, flinging away the half-smoked cigarette and breaking into a sprint towards the lake. There's a woman ahead of me already, throwing herself into the water after the drowning boy. With the fog hanging over it all it looks as though the lake is rising up to engulf the pair of them: even at this distance I can barely see them amidst all the gloom.
Skidding down onto the edge of the jetty, I attempt to get as close as possible to the woman and the boy in the water. Even here they're indistinct and obfuscated, as if the fog is actively attempting to cut them off from the shore. My eyes move to and fro, finally falling upon a battered old orange lifebuoy lying next to the small girl.
"Hey kid!" I call over to her, the urgency of the situation seeping into my voice, "Throw me that lifebuoy next to you!"
As the woman talks I watch her features and expressions shift, noting the burst blood vessels in her eyes and the sudden shift of tone from jovial to bitter. She's likely noted something similar about me: camaraderie amongst drunks. As her rant shifts to the topic of the funeral, however, my gaze averts. That knot in my stomach that's been growing for the last several hours constricts. My mother's final fate, hacked to pieces and then dumped at the side of the road like unwanted household appliances. A fate she did not deserve, the vicious conclusion to a long line of raw deals, tragedies and unhappiness.
My thoughts stray back to the knife in my coat, and I promise myself that someone is going to die for this.
I still can't wrap my head around this woman I'm smoking with. She's far too young to be a friend of my parents, you'd think, and my old man doesn't really do friends these days anyway. But then mum always was a sociable lady; her personality drew others to her, like moths to a flame.
Then the woman plants a foot on the fender of my car, and with the brief glint of a badge it all makes sense.
Shit.
She just had to be a fucking cop.
In my line of work, you want to avoid the police. Sure, I'm not technically breaking any laws but the eye of the authorities is the sort of attention you really don't want on you. And here I am bumming a smoke off one.
"Maybe it's perfect," she considers, "Killers return to the scene of the crime, right?
"And I'll be waiting."
The hell was that? An accusation? A threat? A suggestion? I can't figure Officer Moore's meaning, and I'm normally good at this kind of thing. Yet as I'm about to retaliate with some quips and questions of my own, I hear yelling from the back lawn of the hotel.
My head snaps round. Kid in the dark, misty waters of the lake, about to sink into its depths. Another on the jetty, panic etched onto her small face. And a pale man standing near to it all, shouting for help.
"Fuck!" I snarl, flinging away the half-smoked cigarette and breaking into a sprint towards the lake. There's a woman ahead of me already, throwing herself into the water after the drowning boy. With the fog hanging over it all it looks as though the lake is rising up to engulf the pair of them: even at this distance I can barely see them amidst all the gloom.
Skidding down onto the edge of the jetty, I attempt to get as close as possible to the woman and the boy in the water. Even here they're indistinct and obfuscated, as if the fog is actively attempting to cut them off from the shore. My eyes move to and fro, finally falling upon a battered old orange lifebuoy lying next to the small girl.
"Hey kid!" I call over to her, the urgency of the situation seeping into my voice, "Throw me that lifebuoy next to you!"
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