The faint clicking of Mikel's keyboard echoed off the walls in his silent office. He had been sitting in front of his computer, chained with purpose for a full hour, combing through the painful sands of memory and sorrow. Mikel had only begun to process the grief of losing his friend, Hans Arden. He was still in shock, and the process of putting words on the screen afforded a distractive comfort from the dam of emotion threatening to burst within him. Mikel needed to do something for his friend, to acknowledge him for both their sakes. In his heart, Mikel knew that there would be no funeral allowed for his friend, no opportunity to openly mourn and connect with the love he brought into this life. The murder of Hans Arden was meant to send a message to anyone who sympathized with his sentiments: You're a radical. Your discontent is unwelcome. Marked agitators will be disposed of like Unmarked chattel.
Mikel was typing the finishing words on his manuscript when he heard a voice call out from below.
"Hello? Mr. Stedler?"
Mikel promised himself he'd complete his eulogy to Hans before setting to other tasks or entertaining guests. But, Mikel was taken with a mild concern he couldn't quite place. Art was considered an elite institution, and people who visited galleries came with a sort of reverence and quiet respect. The man's voice sounded unconcerned with such conventions. Mikel rose from his desk and saw Gün perched at the stair landing, looking down into the Gallery with his back arched and claws out. Mikel did not like being summoned in his own establishment and started down the stairs. He turned to address his feline friend.
"Stay here."
Mikel glided onto the main floor and strode into his Gallery. He immediately noticed a man he did not recognize standing before the "12 States of Karma,". The stranger was short, fat, and balding; he stared perplexed at a blood-red mask that seemed to scowl back. The collar of the man's white shirt was frayed with shiny lines from persistent over-starching and he wore a suit of pedestrian quality that hadn't been cleaned in ages. The smiled crookedly, looking pleased to see Mikel, and extended his hand.
"Mr. Mikel Stedler? Hello, Sir ... My name is-"
"Please lower your voice, Sir. There are guests in the Gallery I do not wish disturbed."
"Oh," the man said. He looked about and noticed two couples, as if for the first time. He sighed in impatient frustration. "My apologies. My name is Brody Dullden, and I represent the Citizens for Ethical Decency. I'm here today-"
"The who, ... sorry?" Mikel asked.
The man took pleasure in Mikel's question, a familiar hook that offered an excuse for grandstanding. "I'm so glad you asked. I promise, my dear man, you won't regret it. The Citizens for Ethical Decency are your friends. We are a broad consortium of like-minded intellectuals, philosophers, and public officials who come together out of concern for the welfare and integrity of our society."
Mikel's fists clenched and rested on them on his hips. "This is an art gallery, Mr. Dullden. Is there some way I may help you?"
"Yes, actually." Mr. Dullden faced the red masks with a curious face, regarding them in silence before continuing. "What are these masks, if I may ask?"
Mikel relaxed his stance and crossed his arms. The fat man exuded an imperious tone that Mikel found irritating. The connection between the masks and Mr. Dullden's prattling eluded Mikel, and he decided if edifying him about the masks got him to leave, so be it.
"The work is by Johann Sal ... Fiber-ceramic with oxide enamel. The maroon-fringes were biscuit-fired. The kiln used-"
"No," Mr. Dullden, interrupted, "I'd like to learn about their meaning ... their contribution to society."
The request generated an odd look from Mikel. "Of ... course, Mr. Dullden." Contribution to society? It's art, you ass. Mikel took a deep breath and continued. "The masks are a modern representation of an ancient, occidental spiritual force called Karma. The religion associated with Karma contends that souls are destined to reincarnate and correct transgressions from past lives." The man's face betrayed a profound confusion, and he listened with annoyed glare. "These masks illustrate the twelve possible pitfalls a soul can encounter in their path toward enlightenment."
"How ... quaint," the man managed. "Luckily, we have evolved and are free from such drivel. Wouldn't you agree, Mr. Stedler?" The man's eyebrows raised slightly in anticipation of Mikel's response.
"Precisely, why are you here, Mr. Dullden?" Mikel's tone was came with a demanding edge. Mr. Dullden was toying with Mikel, and it began to infuriate the curator.
A smirk stretched across Mr. Dullden's face, and he paced slowly to Hans Arden's Skin piece. Mikel had just written an excerpt about the sole example of Arden's work in his possession. He was well briefed on the layers of nuanced meaning, and welcomed an invitation to discuss it.
"This is Skin no. 12, by Hans Arden. The grid-"
"No need to waste your breath, Mr. Stedler," Mr. Dullden stated.
"You're aware of the work, then?" Mikel asked.
"Mildly," Mr. Dullden answered. He turned back to the grid of photographs and screwed his face with unmistakable distain. "I don't need to learn more about trash like this. In fact, ..." Mr. Dullden turned dramatically to once again face Mikel. "Given your extensive knowledge of art, I'm quite surprised you'd agree to show such tasteless and objectionable work in the first place. I expect you've simply had a lack of judgment, and THAT is precisely why I'm here today, Mr. Stedler."
Mr. Dullden fixed his tie and straightened his jacket. "I've come here as your friend, Mr. Stedler. To warn you that others are roaming the cultural venues of this city. I'm giving you an opportunity to prevent unrest, and negative publicity." He spreads his arms out, embracing the a Gallery's collection. "You've done a marvelous job assembling one of the finest galleries in Milliane. It would be a terrible shame to rob our citizens of such beauty, because of the notoriety of one mistake. That, my friend," he declared, pointing to Skin no. 12, "will ruin you."
A startling, carnivorous hiss made Mr. Dullden step back in fright. Standing at Mikel's side was Gün, who was adding his contribution to the conversation.
"Dear me, what is that dreadful beast?!?"
No answer came from Mikel, and Gün settled at his friend's side, watching the corpulent puss with unwavering menace. Mikel folded his arms, his face impassive and stoic. "It sounds like you're threatening me, Mr. Dullden."
"I'm informing you of reality, Mr. Stedler. A wave is coming, and you'd do well to shore what you value against the tide." Mr. Dullden fastened the lowest button of his jacket, and began moving toward the exit. "Consider yourself warned."
Mikel watched Mr. Dullden leave the Gallery. Through the window, Mikel spotted three burly men who had been waiting outside on the sidewalk. The three men fell in line behind Mr. Dullden as they walked out of sight to the west.