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On Writing About Places:
William Zinsser from On Writing Well
How can you overcome such fearful odds and write well about a place? My advice can be reduced to two principles - one of style, the other of substance
First, choose your words with unusual care. If a phrase comes to you easily, look at it with deep suspicion - it's probably one of the innumerable clichés that have woven their way so tightly into the fabric of travel writing that it takes a special effort not to use them. Also resist striving for the most luminous lyrical phrase to describe the wondrous waterfall. At best it will make you sound artificial - unlike yourself - and at worst pompous. Strive for fresh words and images. Leave "Myriad" and their ilk to the poets. Leave "Ilk" to anyone who will take it away.
As for Substance, be intensely selective. If you are describing a beach, don't write that "the shore was scattered with rocks" or that "occasionally a seagull flew over." Shores have a tendency to be scattered with rocks and to be flown over by seagulls. Eliminate every such fact that is a known attribute: don't tell us that the sea had waves and that the sand was white. Find details that are significant. They may be important to your narrative; they may be unusual, or colourful, or comic, or entertaining. But make sure they are details that do useful work.
I don't often beg or demand, I usually prefer to request humbly, but I have to beg you to read the above quote and either save it on your computer or write it down and pin it someplace where you will see it whenever you are writing; it changed my entire style and makes descriptions of all kinds so much easier.
It's no fun to read entire paragraphs on nothing but a character's clothing and hairstyle, but it can be frustrating to know nothing about the area you're playing in except that it's a house, so let's read the above quote and practice a specific kind of description: Place description
THE CHALLENGE:
Simple: Write a scene in which your character or characters enter an area significant to the story. It could be the villain's hiding lair, it could be the grave of a mentor, or a cave where something is hidden, or even just the main character's bedroom or workplace. Your challenge is to describe it with the following criteria:
- Break out your thesaurus and try to use the words that are appropriate, instead of the ones that just sound cool
(ie: if your character is NOT walking with a cocky sway to their steps, then don't say they 'sauntered', say they walked.) - Find the details of the place that will be assumed by the reader without your saying anything, and cut them out.
(ie: if you are placing the scene in a cave; you don't need to tell us that it's dark and that there are probably bats) - Find the details that make your setting unique from every other castle/cave/dungeon/temple/place, and describe them. Make an attempt to get the image into the reader's mind as QUICKLY as possible.
Go!