The Workshop

Edited old poop:

Browsing through the Blue

Someday, my wall
will be filled not with baby butt-faces
or future models striking poses
but with sickness.


Someday, my wall
will be filled not with pictures of yummy cake
or memetically calculated heartbreak
but with silence.


Someday, my wall
will be filled not with doodled-out distraction
or silly slogans for inspiration
but with sorrow.


Someday, my wall
will be filled not with the stench of a wild night
or empty promises of morning light
but with sleep.
 
I got into the NaPM spirit late in the month. Here's all that I made (posted earlier in some other site; not in order)

An American Elegy

i sang about the sun
i sang about the red of dawn
i sang about flowers blooming, pollen spreading
across the chilly air
i sang about melting ice
and streams filling up with water,
mud, and salmon eggs
i sang about the bear
waking up to the smell of juneberries,
to the smell of another season to eat through,
to breed through, to live and die through
i sang about the mountains
rising in the distance
i sang about the eagle
soaring over the sea
i sang about the stones
sleeping under my feet
i sang about my mother
surrounding me in all her beauty,
in all her ancient splendor
i sang about the spring

and then you came, and built
your vast marble house
on the backs of tender sleepers
and the bones of newborn life
then you dragged me to your bed,
stealing away the sun,
tearing away my throat


A Russian Elegy

Into the quiet taiga I go,
into a Moscow of pines and birches
and firs and spruces,
where mosquitoes the size of my hand
ride taxis and trains
through tunnels and roads
of twigs and tree-trunks and roots
to work on my skin,
where hedgehogs and bear cubs
and eagle-owls and horses
dart through the ferns, the flowers, the fog,
to have some tea,
where the sunlight always falls
through the cracks in the canvas of green
above my unwashed hair
like yesterday's medovukha
falling from your bottle's mouth,
swirling around in your glass,
tasting your two sweet lips,
washing away your thirst,
where I am free to sing
of my quiet schedule,
of my empty samovar,
of my desperate soul.


Greetings from Sunset Boulevard

I've got
sixteen candles lighting up the line,
sixteen bright green candles
glowing sweetly like your eyes,
sixteen gifts -- sixteenth birthday,
sixteenth record from my grandpa the musician,
ever-playing that old Stratocaster,
with its sixteen strings of metal,
with his sixteen notes of rebellion,
and sixteen bars across his door --
sixteen candles lighting up the lines
of my cubicle in Christmas:
a final taste of what I leave behind
before all these papers fly away tomorrow
to LA.

I've got
long white lines of plastic
flowing from my ears to my phone,
drowning out the noise of the landing,
playing in this lonely cabin
Joni's songs of hard regret,
of liquor-love and California,
of rivers -- skaters on the freeway,
coyote heads and verdant eyes,
two young lovers listening live
to old Joni's best jive yet,
too young to understand how one
becomes a drifter, becomes a prisoner
of the long white lines of the freeway --
and I'm here, I'm finally here,
in LA.

I've got
an hole in my schedule, a pen in my hand
and a sixteen dollar laminated photo
bounded by four long white lines
of ink -- lovers in a bedroom,
sixteen long white lines of semen
all over your frustrated face:
sixteen bars across the door,
our last hurrah before this flight tonight,
before I ride a paper plane
for this damned Christmas job --
so here I am, filled with hard regret,
imprisoned on the long white lines
of Sunset, looking for our hero,
old Joni, with a pen in my hand,
and a sixteen dollar laminated photo
of LA.


Supernova

Today, my navel outshines me,
for today, it is a dying star
huffing its last desperate breath.

The immense pressure of gravity's hands
ever-squeezing its fiery core
at last compounds its basic elements
into a heavy hole in time.

Its shell of gas and light erupts
into a splendid rainbow of dust,
of carbon and oxygen and iron and nitrogen,
of water and earth and wind and flame,
of all the material elements.

And this great cloud of stardust scatters
throughout the arms of the black cosmos,
beyond the world of my humble body,
beyond the womb of mother earth,
beyond the weirs on heaven and hell,
to continue their master's brilliant legacy
by filling the gaps of the puzzle of life.


Fishing for a Wife

To every corner of the world, I went,
inspired by a distant dream,
looking for the perfect woman,
the woman worthy of my seed.
First, four women, I had found:
from the east, a sun-kissed slave
with cold blue cheeks and sweet throat,
a singer and dancer, easily forgotten;
from the west, a grey-eyed girl
with cold blue lips and sweet cheeks,
a warrior and poet, perpetual virgin;
from the north, a fair-haired sprite
with cold blue breasts and sweet lips,
a soothsayer and priestess, always silent;
from the south, a moon-kissed ghost
with cold blue hands and sweet breasts,
a queen and strumpet, too open to the world.
But they were not the perfect woman,
the woman worthy of my seed.

And then, you came, the perfect woman,
the woman worthy of my seed:
a red-haired, green-eyed goddess,
mother of all, the living and the dead,
with cold blue skin and sweet hands,
and implements of steel and fire.
What pride I felt, until I found
that you were from the very sea
I'd journeyed through: the perfect woman,
the woman worthy of my seed,
is from the sea's reflective skin.


This Can't Be the Place (Awkward Melody) [Adapted from "Naive Melody", an older poem of mine]

The spotlights on the stage
are glowing green and gold.
Their flaming eyes are smothered by the dark.
I squeeze your hand --
my hot sweat stings me.

The spotlights on the stage
are burning blue on blue.
Their eyes are set afire in this light.
My hand is loose --
the cold air stings me.
 
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Different packaging, same content (well, not exactly -- titles, stanza arrangements, and a few lines are also different):

The Concert

The spotlights on the stage
are burning blue on blue.
Their eyes are set afire in this light.
My hand is loose --
the cold air stings me.

The spotlights on the stage
are glowing green and gold.
Their flaming eyes are smothered by the dark.
I squeeze your hand --
my hot sweat stings me.

A Cold Morning

Into the quiet taiga, I go:
into a city of pines and birches
and firs and spruces,
where mosquitoes the size of my hand
ride taxis and trains
through tunnels and roads
of twigs and tree-trunks and roots
to work on my skin,
where hedgehogs and bear cubs
and eagle-owls and horses
dart through ferns and flowers and fog
to have some tea,
where the sunlight always falls
through the cracks in the canvas of green
above my unwashed hair
like yesterday's medovukha
falling from your bottle's mouth,
swirling around in your glass,
tasting your two sweet lips,
washing away your thirst.
And there, I sing
of my full schedule,
of my empty samovar,
of my desperate soul.

Supernova

Today, my navel outshines me,
for today, it is a dying star
huffing its last desperate breath.

The immense pressure of gravity's hands
ever-squeezing its fiery core
at last compounds its every facet
into a heavy hole in time.

Its shell of gas and light erupts
into a splendid rainbow of dust,
of carbon and oxygen and iron and nitrogen,
of water and earth and wind and flame,
of all the material elements.

And this great cloud of stardust scatters
beyond the world of my humble body,
beyond the womb of mother earth,
beyond the weirs across the heavens,
to continue their father's brilliant legacy
by filling the gaps of the puzzle of life.
 
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Olive Tree (draft)

You are a young olive tree.
Your two thin arms
are two thin twigs,
bearing much fruit.

Your leaves are slender,
shaped like the fingers
of the hot sun.

Your trunk is sleek,
unspoiled by time,
leaning slightly to the wind.

Your roots are graceful,
rising and falling
into the earth like sea-waves.

Between two round knots
near your long roots,
a perfect hole sits.

Between two round knots
near your tall stems,
a perfect cleft sits.

I pluck twelve olives
from these branches,
and press them for oil.

Sweet little fingers
slither from the mess
into my eager nose,
inflaming my heart.

I run my fingers
through every crease of skin,
thinking of my oven.

I strip the rough bark off
with my golden knife,
revealing the pale flesh beneath.

I watch your white flowers
dance to the joyful song
of the west wind.

I spill, on the bare wood,
libations of oil,
freshly-pressed.

I whisper a prayer
into your crown of sun,
giving thanks to Aphrodite
for your heat.
 
WAM Challenge stuff (with a few edits here and there)

--

Hoth

walkers spouting fire
on the snow --
early poppy bloom

--

Bespin

silver lotus
on sunset waters--
city in the clouds

--

Pair of Shoes

to move forward--
right in front, left behind
left in front, right behind
--is to be apart

--

Shattered Time

clockwork man cloaked in red and black
(like a fascist)
with unwashed blond
handsome face
lean form
and a bad case of the pinkeye
strikes a pose
throwing bits of himself
(slim gears of steel)
to the camera
 
Golden Apples (first official draft)

The night before last winter fell,
I was sitting on my desk, pondering
over an unwritten tale in my head,
when a gust of wind rattled our rooftop.
I stepped outside to check
the damage, but instead I found
death speeding low over the town.
Her cloak reeked of orange blossoms.

Curious, I grabbed my book and pen,
and, after locking the door,
followed her course through the clouds.
The streets were completely empty that night,
as if everyone but I knew her business then,
and a soft dirge fell from the heavens
like a coffin being lowered into the grave.

So the thought came: was I her mark?
And fear filled me, slowing my steps
and quickening my pulse. But then,
a maiden's scream shot through the silence
like the fateful first seedling of spring,
and I ran to the source, relieved, excited.

Near the town's plaza, Mrs. Miller's son
had fallen from Judy Bennett's window
after a gust of wind made him slip.
His scattered brains looked like a sower's mess.
Moments ago, he was busy comparing
Judy's blond hair to an orange's zest,
her ripe breasts to the oily rind,
and her moist cunt to the plump and juicy flesh.

As a dutiful neighbor, I offered Judy
a few vain sympathies, then left,
as death did. And when I reached my door,
I found that I'd forgotten my key;
it wouldn't be until sunrise
that I would get back to my desk.
Lucky I'd brought my book and pen.
 
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House of Cards

Empty pockets and empty tables,
what a night. On the mantle to your right,
a deck of cards, covered in shadow: what,
too lazy to light a fire? It's wintertime,
you'll freeze to death.

I told you, your houses lead nowhere:
you know what cards are made for.
You gotta invite your friends,
call them to your table,
earn some debts then place your bets
and play--
then you'll start talking sense!
 
Last Week's Episode [Rictameter experiment]

Sansa:
WELL, what bastards
have stayned yer patch of snow
red, inthebox THEBOOKS say yer
still free, but, I guess novels dun make good
games, forthebox MOSTFOKS dun like
their stayges with patches
still naked, RIGHT
Sansa?​
 
Vision of the Future [Cleaning up "Sad Old Men"]

We'll drift down streets
of cold, corrupted stone
when all old loves are dead
and new loves leave the birthing-beds.


Boyaryna Morozova [Ekphrastic almost-a-triolet on the Vasily Surikov painting of the same name]

She speaks to men, not God, whenever she raises
those two digits and, loudly, sings her praises,
exaltations easily lost
in her voice, a voice of man, not God. She raises
the spirits of all around her, though, and blazes
a Holy trail without cost
for the three estates, whose loudly sung praises
she says are too easily lost.


Tea-room haikus [Written in a tea-room, not describing one]

Perfect love --
the interference between
two sea waves

Leaves gently gilded,
weighed down by cotton balls --
a fox wedding


Confronting the Silence

Slow, steady: the drone
of the drums, the backbeats
backhandling, fistpumping
universal tunes, undead and misused
music for a moneyless
generation, slow, steady
in the drone of the drums,
the backbeats, backhandling,
fistpumping filth.
 
Lecture on Rhetoric

Melos --
Dance​
My daughter is a pretty flower:​
Her body is an iv'ry tower;​
Her hair's a crown of golden summer.​
My sweet, I'm sure you'll be her lover.​
March​
Mighty misters march,​
Heroically holding huge hafts​
Shouldering shiny blades​
Still bloodless, still blank.​
-- Melody.​

Lexis --
Latin​
pontificating dominatrix​
reclining on a mattress​
fashioned by artisans​
exotic and oriental​
German​
marching down green fields,​
with my blade shining brightly​
in the hot light of the sun​
and my skin wet with brine​
-- Lexicon.​

Opsis --
Romance​
The naked maja's skin​
is a bed of fine snow,​
smooth and light like air,​
sweeter than milk.​
Royalty​
Crashing on the sharp rocks​
of the valley is an ocean​
of men, marching to the stiff​
rhythm of war-drums.​
-- Opera.​
 
Maypole

Month of May--
Time to buy
latex for flowers


On the Universality of Beauty [Another rant]

Your bod movement,
my bod movement --
conjugation involves sacrifice.
It takes two to communicate,
three to form a family,
and four (or more) to start a society,
but one, only one,
one out of all,
to craft a destiny.

There is no you,
there is no me --
creation involves surrender.
Beauty was set in stone by Venus,
so the family will be strong,
and society will stand
on its own two feet
without sickness and shame.

You are nothing,
I am nothing --
cancer involves sugar
consumed in excess,
soon shunting death into the belly,
then the veins, lungs, brains...
Only the beautiful don't die young,
only the beautiful can be one.

Your loneliness,
my loneliness --
confusion involves sleep.
Only the blind marry the old,
the lost, the ugly, the alone,
and they are blind,
easy prey to death.
 
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Night Terrors [Final edit]

The air is always flat this time of night,
flat and cold and quiet, like the lake outside
in wintertime. My breathing, I slow down:
I don't want to break the ice.

When I go to bed, I never shut my light,
a sun lamp. Why does no one let me walk outside?
There, the twisted trunks of oak never shift,
unlike the shadows of my bed.

Like the shadows of my bed, the wilderness at night
is home to creatures fanged and clawed; but outside,
the horrors are familiar, real and steady
in their motives, while my bed-sheets
shelter only water.

I've broken through the ice before. I remember light,
cold moonlight, crashing through the winter ice outside,
filling my lungs, choking me, washing away my steady,
never failing faith. Then, I was pulled up
by the rooster's crow.
 
Day at the Beach

He
wields knives
made of steam
from the waters
of the ocean, peeling away our hides
for the view, before his wife, the pale moon,
arrives and dulls
his knives with
physics,
cold.
 
CULTURE RUSH (All not mine):


octopus pie » Archive » guest comic – steve wolfhard
tribe.net

POMEGRANATE by Louise Glück

First he gave me
his heart. It was
red fruit containing
many seeds, the skin
leathery, unlikely.
I preferred
to starve, bearing
out my training.
Then he said Behold
how the world looks, minding
your mother. I
peered under his arm:
What had she done
with color & odor?
Whereupon he said
Now there is a woman who loves
with a vengeance, adding
Consider she is in her element:
the trees turning to her, whole
villages going under
although in hell
the bushes are still
burning with pomegranates.
At which
he cut one open & began
to suck. When he looked up at last
it was to say My dear
you are your own
woman, finally, but examine
this grief your mother
parades over our heads
remembering
that she is one to whom
these depths were not offered.


I had a fairly massive reading list before. I could post all of them here (excluding the epic poems, as that would be crazy), but posting them all at once feels almost tantamount to plagiarism, as this is a showcase of personal stuff, after all. Maybe I'll lug them in the discussion threads.

Favorites from the reading list:
Hyacinth - by Louise Glück
When Lilacs Last on the Dooryard Bloom'd - by Walt Whitman
Casey at the Bat - by Ernest Lawrence Thayer
Eleonora - by Edgar Allan Poe (not a poem)
On the Pulse of Morning - by Maya Angelou
A Hymn to God the Father - by John Donne
When Stretch'd on One's Bed - by Jane Austen
Life is Fine - by Langston Hughes
The Descent of Inanna - I have no idea
An Adventure - by Louise Glück (have I mentioned my intense interest in Glück?)
Improvisation on Lines by Isaac the Blind - by Peter Cole

Why are Your Poems so Dark? - by Linda Pastan

And this, though in no way part of the reading list:
These are not my teardrops, daughter dear,
But just the sheen of dew that lingers here,
past other fields where other fathers lie,
who kept their daughters, better far than I.


Giuseppe....
 
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BACK TO WORK, EVERYONE
Now that you have various points of comparison, maybe you can hack at me a bit more. Anyway:

Existentialist Ice Poetry

In my fortress of frost,
I boil eggs for breakfast,
then lull myself to sleep at lunch
with the ruby rhythms and raucous rhymes
of my sticks, my skins and shins,
only to wake up at the take up
of the wind, carrying the moon's
loony light.

Out There

Cities standing
on the scalps of giants, still
dreaming. I wonder:
when will they pick the nits,
scratch their heads?

Moscow City

The Road knows no bounds --
It courses through the City, then
flies through the field, into the woods
that wax and wane, until
there are no more bees to craft the combs,
and again, plains, City lights,
and another round of running.

In Here

Topical discussions on the nature of reality are uncommon, this day and age --
or, perhaps, overcommon, but unsaturated with new ideas.
"Existence is this" and "Existence is that"
with lines from the time of St. Clementine
and beyond. Wisdom is ageless? One need only compile?
There are no horizons in a round world?
Or are there no thinkers, this day and age,
only fading ideas....
 
And another thing:

For that culture rush, I must add "Time and the Perfume River". Problem is, I forget the author's name, and it doesn't seem to be in the internets. So dang.
 
Inspired by William Blake and Louise Gluck (u with an umlaut, you pedantic poopers):

AT APOLLO'S GROVE (OR THE OLDEST ORANGE TREE)

To the west, a weeping river,
To the east, the rising sun,
And between them stands an orange tree:
Daphne on the run.

(The above being inspired by this:

MOCK ORANGE


BY LOUISE GLUCK (u with an umlaut)

It is not the moon, I tell you.
It is these flowers
lighting the yard.

I hate them.
I hate them as I hate sex,
the man's mouth
sealing my mouth, the man's
paralyzing body—

and the cry that always escapes,
the low, humiliating
premise of union—

In my mind tonight
I hear the question and pursuing answer
fused in one sound
that mounts and mounts and then
is split into the old selves,
the tired antagonisms. Do you see?
We were made fools of.
And the scent of mock orange
drifts through the window.

How can I rest?
How can I be content
when there is still
that odor in the world?)
 
Quick note: I'm actually considering moving the good bulk of all this work to a new workshop thing and just posting everything there. I think it's time for some of my good old crap to be the ones shining, instead of the confusingly amateurish stuff gracing this thing's first post. But anyways:

SPECTROPHOTOMETRY

A column of light
broken by streaks of blackness
well-measured,
each interrupting
band a disappointment,
a disease,
a death in the family
--traces of lead, silver, cinnabar--
with the whole being
just a perfect circle's arc
pressed and stretched
into this pillar
for the viewer's convenience.

Not even
the subtlest implication
of the circle must exist--
light is a line, not a wheel,
and the dutiful scientist asks
no questions.
Today must become yesterday, as
tomorrow becomes today,
and the dates on the calendar transform
into memories, stories
warped for the message,
marks on the line graph.

And our tests
on experience
yield no meaningful results.
Try again.
 
BLACKOUT

What sweat!
My flesh melts.
My fat crackles.
My blood boils.
Smoke rises.
The flame consumes the wick
and I am rendered bald,
then dumb,
then, at last, hollow
in the dark.
 
[A bit of spontaneity is always nice, no?]

MOUNTAINS (TO THE WOLF LADY)

I received a dream from you:
I saw the hills and mountains
open up before me, revealing
their woods and water-ways, and
their cores of stone and metal.
I went to the west to pursue this dream,
but a singing lark came to me and said,
"There are no dreams beyond your little land,
where the boars roam free and the deer fear not:
there are only truths,
the scientist in his tower, studying the stars, and
below him, the smith casting musket balls."

Still, I traveled:
I rode on the back of my elk,
slinging my bow across my shoulders.
Then, to the gallop! And he leapt
over the bushes and brambles
and the deep roots of the oak and the pine:
and a branch wounded me
on the cheek. The mountains followed the dream:
like God, in seven days, these giants created the world,
beginning with light and night, then with the wild wind,
the springs and the herbs, a few fish, fowl to hunt,
a fox or a bear here and there, then
rice paddies, huts: human settlements,
human suffering.

I entered the village, and the sparrow showed himself, and said,
"There are no dreams here in the west, I told my brother.
I was wrong. There are dreams, impossible to forget:
they are nightmares. But if I leave my hiding hole, the hunter
will shoot me, or the warrior will play with me,
sticking me on his standard." Around us lay
the ashes of the harvest, white and gray,
and the ribs of men were laid like palm leaves on the road,
greeting the coming lord,
inviting me to the slaughter.
And a troop of soldiers startled me, attacking,
but my elk was swift, and my bow arm, even swifter.

I reached the feet of the mountains, and
rested: and I drank of the waters of a nearby stream,
and chewed a few fresh beans. A vision sprang
from across the shore: pale-faced
but with queenly grace, she stood and stared
at me, like a wolf. Blood was spread
all over her face. I knew not whose blood.
I knew how I loved her then.
And she was gone, and I left the woods,
the mountains, her silver
face still hanging
behind me, over
the west, the sun,
setting, beyond
all longing--
 
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