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Draugvan

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Original poster
@Moogle-Girl @Lady Turquoise Heart @Vaykalin Bloodbane
A moist thud and a shuffle can be heard on one particularly still moment the eve of Sunday night. The air is still enough here that one could make out soft shifting of tides on the River Thames to the west, and the creaking of merchant boats thereon. North of this boulevard coils a tight alley between shops that leads to a four-way intersection of small, unnamed streets. Curious, you follow the direction of the noise north.

It is here in this intersection that you find the source of the thud. There is sprawled on the perimeter stones a lowly woman in ill-fitting, and sickeningly grubby clothes - like would a pauper. Her dress is smeared with detritus around the hem, smudges from labour and lack of hygine, and missing thread from disrepair, but not all. Pooling blood begins to soak in at the shoulder where it drips from a fissure on the head and creep along the cobble. Murder.

As if made of the night itself a figure divorces from the shadows where it had been lurched over its prey unnoticed. The figure erects to standing slowly, fully twice the size of the poor pauper woman. It is cloaked in a dark cape enshrouding the shoulders, formless. The figure calmly slides an into its cloak with a ghostly rasp of glass on leather as the woman's breathing slows then falters then stops.

The figure jerks up, looking south down the coiling alley as though its name was called. And there it spies Faulkner, Schneider, and Lardium all looking on with a stillness that befitted the night. The cloaked figure has killed this woman! And now that it was spotted the figure made to quit the scene hastily, dashing quickly north out of the intersection through a jaunty alley.

The figure is out of sight momentarily as Faulkner, Schneider, and Lardium race to follow north. The alley births into another east-west boulevard. To the east comes the sound of whipping sails and uneven jangle, and to the west a carriage kicks to life and begins westwards. The chase is on.​
 
Aida Faulkner couldn't say she had high hopes for this day, and yet she still wished to glean just the slightest bit of happiness out of spending time with her fellow detectives. Maybe a bit of relaxation after a long day of difficult cases and needy clients. Even a sip of a fresh margarita would do the job. Would she be getting that treasured moment? Evidently not.

"Who would dare--?!" she huffed, starting to walk up to the injured woman before an ominous figure made itself known. And just as Aida was about to apprehend the obvious perpetrator, they bolted into the night; clearly they knew what treatment they were in for. "Get back here!" Aida snapped; though her body wasn't what it used to be, her sharp voice carried far into the alleys.

To her, the sound of the carriage marked the obvious choice of escape route. Aida stopped only to catch her breath, pointed to the west, and said, "Follow that vehicle, before they get away!"
 
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Schneider was having a bad day. First, his favourite coat got muddied on the way to the gathering and second, he dropped his musket on his foot this morning. James was most excited to be away from that and to just have a nice drink with his companions, the scotch he tasted last time was divine... But sadly, things were getting worse.

Spotting the man deal the fatal blow, Schneider ran forth, giving a quick look over the poor lady. "What a sorry end to a life not fulfilled" Kneeling down and closing her eyes, he then bolts to the west after hearing the call from Adia Faulkner. " I'll have him!" He yells in reply as he charges down the alley way, eager in his pursuit of the murderer.

Seeing the carriage only at the last moment as it turns down the street, he draws and fires his pistol, clipping the carriage by the side, the wood splinters exploding off as the gunshot echos through the quiet streets. "Damn!" he curses loudly. "Come! We have a dastardly murderer to catch" he calls to his fellow detectives as he runs after the carriage.
 
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Tarra was humming to a song she had heard in a opera she had heard not too long ago as she walked along the empty streets of the town. When she saw someone in a cloak exit the ally way of the block she was interested at what he was doing. However she decided to take a peak at the ally way instead of following the hooded man. "Dear me! What the goodness is this!" Tarra said shocked at the body that is about 60 feet away.

She than swiftly turned around to see the hooded figure had vanished from sight.
 
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Schneider's gunshot was an assault to the ears and sure to draw unwanted attention, but it was necessary. At least, it would've been if he had actually hit his mark. The damn dandy always did have a flair for the dramatic. Nonetheless, Aida followed after him, defying her old age to run as fast as she could.
 
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Tarra followed suit slipping off her shoes since they are very restricting with speed and tossed them in her bag as she started following aida and trying to regain her vision of the hooded man.
 
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Schneider's lead pellet took a bit out of the carriage right on the corner, causing splinters of wood to plume past the driver's head. At the commotion the driver slows his horse and steps down to face the detective head on. The carriage door would open too and a young man puts a foot out to see Schneider bearing towards them.

"Hey! What do you think you are doing?!" the driver calls with the terse voice of an old man, evidently limping.

"What's the meaning of this? I'll have someone reprimand you in the morning, if you'll not hold your liquor" the younger man clips. However at Schneider's distance this man was much smaller than the killer.

In the east sailcloth and baubles whip and jostle into the night despite the windless peace of the evening. In the wake of gunshot the smaller sounds of the night return such as waves lapping on the Thames to the west. The killer is headed off in the opposite direction. Schneider would realise this as he confronts the carriage, his haste making up for his mistake. Though Aida and Tarra would follow to confront the carriage only a moment later, in this chase a moment could mean a whole lot.

[Aida and Tarra fall behind]​
 
In the night, and with Aida's weak eyesight, she had to get close before she could make out the face of the carriage's passenger. If the vehicle hadn't stopped, she might never have noticed that it wasn't the culprit. But when she did, Aida let loose a storm of curses enough to make the sailors on the other side of town blush. She didn't even stop to give the passenger an explanation, instead turning on her heel and making a break for the docks.

If anyone were to press her on the details of the decision she'd made, she would never in a million years take any blame for the slip-up.
 
Schneider, cursing his fortune, would then run in the killers direction, reloading his pistol and putting it aside. "To the west! Adia, Cut him off to the south west! Funnel him straight. Tarra! Same with you, but go to the north west. We can corner him in the outskirts! I will take to the center!" He yells as he runs, trusting his companions. Looking about cautiously, he slows down to a speedy walk, his hand on his saber.
 
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Tarra notes this and starts running as fast as she can northwest along the road.